Collateral Damage

Black Cat and Skull

Collateral Damage

I’m a big fan of showing collateral damage in fiction plots.

I’m not talking about the military summations of who died on either side.

I’m talking about showing what happens when your protagonist does something that profoundly affects someone else. When you come across someone in your plot that has been harmed by the poor choices your characters make.

It’s one of the reasons I don’t often like or enjoy superhero or action movies. Too many of the Non-Player Characters are just used as body count or a means to an end. A great deal of the Named Secondary Characters are merely props to further the emotional instability of the Main Character protagonists and antagonists.

It’s also one of the many reasons I’m enjoying the Jessica Jones series. Now there’s a character that’s dealing with Collateral Damage. Victims become heroes, heroes fight the bad guys, but no one is the same when it’s over. There’s no reset button.

I’m on the fifth episode, and I really hope I still like it by the end.

Since becoming an editor, my ability to enjoy fiction has been seriously dampened. I could even say the more I learn about plot building, the more collateral damage there is to my ability to sit back and enjoy a movie. I can’t help but do a body count of NPCs and times that the writer ignores their own worldbuilding rules.

Speaking of movies, I really liked Deadpool, even though the unaddressed collateral damage was pretty high. I think it’s because we saw that the protag was an antihero. It’s also because some of the NSCs discussed the potential CD with the MCs, and our Protag Anti-hero acknowledged the CD without making validation excuses. He knew what he was doing was terrible. I’m trying not to look further so I can still enjoy the movie.

Which brings me back to writing about collateral damage.

What is too much? When should you do it? How do you do it? What if my belief system about culpability isn’t the same as my main character? What if someone who reads my book doesn’t like how I’ve addressed the collateral damage? What if what I’m doing is just another trope?

Don’t worry too much about that.

Just look at your plot and ask yourself, is there some collateral damage here that might help move along the development of my character, the world I’ve built, or the storyline? Yes? Go for it. No? I doubt that. Every story has an element of CD. Even if it’s only in how much your MC doesn’t care about the NPCs.

Remember this:

There is nothing new to write about and no new way to do it. There is no right way or wrong way. There are only stories you like and stories you don’t like, ones you can sell and ones you can’t, audiences who hate you and audiences who love you. If you have the mechanics down on writing, you can tell a story. If you understand collateral damage, you can tell a great one.

And by the way:

I like seeing collateral damage in fiction. I don’t like it when writers do collateral damage to one another. You know what I mean. Stepping on each other’s money. In-fighting amongst groups and organizations. Accusing one another of being hacks, posers, snobs and artistes. My genre is better than your genre. I’m not even sure that stuff would work in a fiction novel. Boring.

Now excuse me… I’m going to go watch the sixth episode of Jessica Jones before getting back to my own novel.

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Meh

Lattes Trent Gudmundsen

Meh.

The life of freelance is one where you have to be your own boss, co-worker, and marketing department.

You also have to provide your own inspiration.

Bleh.

Community is a thing too. It’s hard to find other creative people to share experience and frustration with.

Especially ones that won’t suck you dry or trash you once you leave the room.

Spleh.

This attitude, this feeling of Meh is your enemy…it’s also your friend.

It means you’re paying attention but probably too much attention to the noise around you and not enough to your output.

If you’re introverted it means you need to take a break from stimulation, turn off everything, take a walk, feed the ducks.

If you’re extroverted it means you need to go do something exciting, see a movie, work out, go to a game.

Then you need to get back to work.

Because it’s not going to change.

Sigh.

Post this under Advice To Myself.

 

Image is Lattes by Trent Gudmundsen

 

 

 

 

 

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Hugs & Handshakes

ophelia02Hugs and Handshakes

 

In the past I have been free and open about hugging people in greeting and in parting. Honestly I just want to share joy, love, and comfort with the world. In a business situation I have never declined a handshake. However, I now want to announce that I will no longer do the hugs and handshakes thing.

 

Why? Germs and Courtesy.

 

The germ thing is fairly easy to explain. Conventions are amazing pools of fandom, friends, and networking, but they are also the breeding ground of something we like to call Con-crud. The more conventions you attend, the more often you get a virus. Not the same virus every time, that’s not quite how they work, but different ones that pop up here and there from year to year in different strains, like the flu.

 

Now you might be one of those people who think that people should just ‘get over it’ and ‘live in the real world’ by allowing themselves to be exposed to sneezes and coughs but many of us can’t afford to get a virus. (Don’t get me started on how many rude people I’ve encountered who think it’s fine to shame people who are trying to avoid an avoidable illness. Or the kooks who believe the flu vaccine is a hoax.)

 

Many of us have compromised immune systems (like me) or we are elderly, or frail, or fighting cancer, or we have friends and family who must avoid viruses for the same reasons. Some of us are still recovering from the last virus. Some people just want to make sure they live healthy for another year.

 

In other words, just because you are privileged enough to have good health doesn’t mean every else has good health. And while I’m on this point I want to make something very clear: No one has a right to know what illness, handicap, or limitation you are dealing with unless it could affect them and their health. You can ask politely but don’t press the issue.

 

Then there’s the whole touching thing.

 

Too many people think a handshake should be firm. Or they use it to assert their strength. What if that person has arthritis? What if they have nerve damage? Same thing for hugs. People get too squeezy from time to time and creepers use it to mash up against women’s breasts. (See last week’s topic.) Many people just don’t like to be touched.

 

If you want to hug someone I suggest you ask politely first. I’ll be the first to admit that I have hugged many people who did not want be to hugged but I didn’t notice until someone else pointed it out. My bad.

 

Some celebrities, like Wil Wheaton, have traded in the hugs and handshakes for a polite bow with the arms crossed across the chest. I intend to do the same at conventions but will gently decline the H&H in all other situations except for close friends and family. Or maybe I’ll just flash the peace sign, perhaps do fistbumps?

 

I may even have a button made up that says, No hugs or handshakes please.

 

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Inappropriate Nice Guys

Phuoc QuanInappropriate Nice Guys

I’m going to talk about a sexual harasser that doesn’t get a lot of attention; the Inappropriate Nice Guy. Hereafter referred to as an ING. I like this acronym because it’s literal and also means, “I’m no good” in text speak. It also denotes the behaviors: trespassing, harassing, commenting, stalking, grabbing, and stealing (kisses, hugs, time.)

In general I apply all my comments about bad behaviors to both men and women, but in this case men are the overwhelming transgressor and women the main victim. As for children, you will see this bad behavior in relation to pedophiles grooming children for victimization and bullies indoctrinating victims into passivity.

 

I’m also keeping this post in the realm of conventions and workshops and other creative groups and gatherings. Mainly because we all (generally) know what to do when someone in the regular work place is being an ING. We go to HR and HR handles the problem, but in the freelance and fan world there is no HR, so once I explain the situation, I will make a few proposals that I want everyone who attends these venues to consider and share.

 

So, back to the Inappropriate Nice Guy: the ING is the guy who makes comments that are uncomfortable and often thinly veiled as compliments. They show up wherever you are and to crush and creep on you in a manner that makes it clear they want sex and intimacy from you on their terms.

 

Some of you are probably thinking that handsome guys get a pass on this, but I’m telling you that they only get a first pass from many people in the same manner that all women tend to give good looking and/or well groomed guys a first pass. We are all looking for companionship on some level, whether it’s a casual friendship or a life-mate. But when someone says ‘no thanks’ in whatever way they say ‘no thanks,’ the person needs to back off.

 

Here’s where conventions, workshops, and other fan/freelance gatherings come in, and I’m going to refer to them as gatherings from now on.

 

Those of us who show up at gatherings are often there to promote ourselves and interact with fandom. We are often there because we are either paid guests or volunteers. We are nice to everybody because in general assholes don’t get invited back, and they don’t get as many fans as everyone thinks they do.

 

Many of the attendees are there to find new media to geek out over, or to improve writing and costuming skills, and generally bask in the wonder and joy of sharing common interests.

 

A good portion of gatherings are comprised of people trying to improve their skills and network until they can become a paid guest or volunteer. Many have aspirations to climb to the top and be known for what they do.

 

This is the feeding and hunting ground of the ING.

 

We all know him.

 

He seems okay, seems to have a lot of friends, and everyone likes and/or feels sorry for him. He certainly can’t be as bad as the Inappropriate Butthead, who doesn’t care how crass and nasty he is because Freedom. He has never been reported for sexual assault of any kind. He’s also not quite the Awkward Creeper, but he may masquerade as one if he finds it more effective.

 

The ING is the guy that stares too long at your physical assets when you aren’t in costume, and leers outright when you’re wearing one. (There’s a difference, just ask any cosplayer.) The ING offers compliments that when you take them apart, are just a way of saying they’re having fantasies about you in the shower tonight and you can’t do anything about it. He doesn’t offer a hug so much as take one, and if he thinks he can get away with it he’ll steal a kiss and then hope you’re too surprised or befuddled to stop him. If you object, he’ll be the first to apologize, sometimes with a tear in his eye, and say he misread the situation.

 

Damn, but I hate this guy.

 

I used to be nice about it. I figured I was just being too sensitive, too harsh, too afraid. He probably didn’t mean it. Maybe my style of dress made him think I liked that sort of thing? Maybe all these damn ‘rape promoting’ movies and ‘bodice-ripper books’ made him think all women want that? Maybe what I think he said isn’t what he really said?

 

See what I’m doing there? You’ve done this too, I’ll bet. Blame yourself because society blames you.

 

Or maybe you have complained, told him to back off, told others what happened. And you weren’t believed.

 

People offer excuses:

“But he seems so nice?”

“That’s just the way he is.”

“You’re being too sensitive.”

“Maybe he’s just…(fill in the blank with whatever lame excuse lets you sleep at night).”

 

I’m telling you, the ING is counting on this.

 

He hides behind our weird obsession with being liked, our desire to be seen as a cool chick, our need to be included rather than shunned.

 

He counts on the friendliness we have to cultivate to be comfortable in the public eye, and our good manners when we promote ourselves. The worst villains hide behind their friendships with other people who have power in the industry, or behind their own power.

 

And everyone knows that a woman who complains is a bitch, and one who adds drama is a psycho. It’s so easy to trash a person’s character when all you need to do is say she’s ‘crazy’ or ‘over-sensitive.’

 

But wait…what if I’m wrong? What if that guy is actually innocent? What if he really is new to the whole human interaction thing, and just getting a bum rap? After all, without an HR department, who tracks the complaints? And what do you do when you get enough complaints? Can I trust the people I’m being asked to report bad behavior to? What will happen to that person? What will happen to me? Will people line up to dox, troll, threaten, and otherwise make my life a living hell?

 

Therein lies the solution.

Every gathering, be it a convention, workshop, or other paid attendance event, needs to have a system in place. When someone rapes someone, or indeed commits one of the levels of sexual assault that qualifies for involving the police, we have an automatic system. (Unfortunately, not everyone knows what the procedure is, and I personally feel it’s every gathering’s job to know what it is for their city/state, and be able to direct someone to proper services immediately.) For the transgressions that the ING does, we also need a system in place. This is not easy, and anyone who coordinates gatherings knows what a nightmare it is to herd cats and monitor transgressions without proper procedures and back-up. Even when procedures are in place, it’s extremely uncomfortable.

 

I have experience in counseling sexual trauma and assault, and in the psychology of communication. I also have experience in workshops and conventions, so I offer the following advice:

 

Every complaint can be anonymous, and every complaint should be believed.

(Yes, I know people lie, but if you look at the statistics for rape, it’s 1% in adults. It’s higher in children, but that may be because they are pressured to redact. And we aren’t talking about rape here, that’s another conversation, we are talking about women being empowered to protect themselves from harassment and stalking without exposing themselves to physical abuse.)

 

Paperwork should be generated and stored by someone in charge who will make sure the paperwork is protected and dealt with, and not just tossed in the trash when the convention is over.

 

EVERY complaint needs to be investigated and dealt with.

Every convention or gathering needs to have a three-strike rule. The first strike is a private counseling, preferably by someone with two big people as back up and to witness. The second strike is firmer and they will have to sign something saying they have been officially warned and understand the consequences. If they don’t want to sign, they have to turn in their badge and go. When the third strike happens, the offender’s badge is taken away, and the person is now uninvited, and therefore a trespasser. If they don’t leave or they show up again uninvited, they get banned for life. If they get ejected twice, they get banned for life and their name is shared with other convention organizers.

 

Have a system of reporting that is visible and post the guidelines everywhere: I suggest using the color sky blue as a way to unite and alert. Make flyers with directions to the reporting area and make that area safe. Train the volunteers on this, and do a background check on them if you want to be extra cautious. Volunteers should always be in pairs. Women are preferred when women report, and men when men report. (Because there are Inappropriate Nice Gals, too.)

 

We all have a stake in this. I further suggest that when a woman feels like someone is an ING, she should be able to rely on her friends to back her up.

 

Men: Don’t act like this, and don’t tolerate it in your fellow men, especially your friends and family. Loving someone means you’re willing to call them out on bad behavior.

 

Women: Don’t excuse bad behavior. Please be supportive of one another when ING crap happens. Supporting someone means believing them without judging them. Also, feel free to snap a picture and circulate it on Facebook as a warning. If they can do it, you can do it, and it isn’t illegal because they are in a public space.

 

People who are sensitive and/or have sexual trauma in their past: I know you want to do more. I know you want to stand up for yourself. Have a plan for when you start to get triggered by a person or situation. Someone close to you can be your convention buddy. As soon as something happens, tell them about it, and report it if you are able to. But always take care of yourself first.

 

Bystanders: I know you aren’t involved, and no one wants to start a scapegoat/monster hunt, but you can do something. Tell the ING to knock it off if you feel it’s safe to do so. Tell the targeted person, (the victim,) they can report and where to do so. Report it yourself, if you don’t want to get involved in the actual situation. Take a picture of the guy, or group of guys, (Sometimes the asshats dress up and get in groups to hoot and harass women in cosplay. I mean it’s all in good fun, right? <insert sarcasm and eyeroll here.>)

 

Guests, moderators, volunteers, and officials:

You have more power to do something about this than you realize. Demand the conventions you attend have an enforceable policy. Give them this one if they don’t know where to start.

 

And Finally:

Don’t downplay the importance of this. The Inappropriate Nice Guy in counting on you to look the other way. They know how to act at gatherings, and may very well be rapists and sexual predators outside the gathering. They are another form of sexual predator.

 

Be safe,

Kerrie L. Hughes

 

PS.

Feel free to comment or ask questions but I do not tolerate negging and trolls.

Image is

http://nkabuto.deviantart.com/art/London-street-339098159

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Stealing Time

Bluebeard Benjamin Lacombe

How do I find the time to write?

It’s easy: you steal time from your kids, your spouse, your pets and yourself. You can also neglect your chores, your work, your health and your friends.

See where I’m going with this?

If you’re a caretaker or breadwinner this is maddening. People tend to believe others are first and we are second. Women are raised to be caretakers and sacrifice ambition for the comfort of others. Men are raised to be breadwinners and set aside creative pursuits in the name of family. (I hate to be sexist about anything but you know it’s true.)

There’s also the very Now problem of a geeky dedication to various media and connectivity sharing. No one anywhere has ever had as much access to books, movies, games, and music as we do now. We can share everything, everywhere, anytime and this can steal all of our Creative Making Stuff time.

You have to cut out some of the intake to have output.

Not all of it, just some of it.

Over the past years I’ve become very good at cutting things out of my life so I can write instead. This is a luxury that comes with age, a grown child, and being married to someone who pays the bills. (Not that I can’t do that myself.) It has also happened because of my delicate health and the fact that I’m running out of options.

Stealing time is an art form when you do it right. Getting there is like going on a diet or adding exercise to your daily routine. It’s a matter of making it a priority. Failing, and trying again till you find what’s right for you. Just this past week I gave up online gaming because I looked back over 2015 and noticed  I could have written an entire novel in the time I spent gaming.

My formula involves learning to put myself first then assigning special time for the people closest to me so they don’t feel shut out or unappreciated.

Chores are done according to a ranking system. One room every Saturday, laundry when I feel like it, (I enjoy laundry) the basic kitchen stuff everyday, morning pet chores, evening pet chores, (I love my cats) and errands/shopping once a week. (My husband does half the chores by the way.) I also walk for 30 minutes minimum every night.

I don’t know what I’d do if I still had a young child at home. Seriously, anyone who can write while having a child/baby gets a medal from me.

As to managing marriage: it’s taken us a long time but we finally figured out that ‘roommate stuff’ gets discussed for no longer than one hour every Saturday and ‘financial stuff’ once a week on Sunday. We discuss nothing serious/important before coffee or after dinner. Your results may vary.

Then I pick a few things to fill my geek card and give that time some parameters.

Creative Output must = or > Media Intake.

It’s not easy at first and took decades to learn but now it’s second nature.

 

 

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Writing Is A Lonely Affair

Paul_Hoecker-Nonne_im_Laubgang-1897

Writing is a lonely affair.

I often think I would be a better writer if I lived an ascetic life.

Partly because the act of writing is a never ending churn of creativity and perfectionism, partly because giving yourself permission to be brilliant is anathema in our society.

If you are a writer you know what I mean about the churn, so let me explain the anathema:

You make something and then you have to decide when to show what you’ve made and what to do about the reactions to what you’ve made.

The first part, deciding when to show, is hard on beginners. We are all children looking for approval wether we want to admit it or not. That first showing of a thing can lead to showing a second and third person… maybe more.

Criticism can halt the advancement of making things. We can all relate to having someone’s reaction be so disappointing that brilliance is stopped dead.

But this does not need to stop you. The second part of showing is figuring out who to listen to as a critic and who to dismiss.

The critics come in several guises: Expert. Consumer. Competitor. Bystander. Patron

Many critics are more than one thing.

Some are terrible things. Some critics are trolls. Some are jealous. Many just want to stop you from achieving brilliance. Many just don’t understand that your point of view does not have to be their point of view. Your beliefs do not have to be theirs.

You will hear people dismiss your talent and work in the name of decency, morals, humility, taste, ignorance, insensitivity, blah blah blah.

This is noise.

People will compare you to others. They will pat you on the head. They will tell you to pay your dues. They will say you need this class or that workshop. You need to follow this method or that formula… or worse… wait to be discovered.

*shudder*

This is nonsense.

Noise and nonsense will keep you from finishing things, from trying new methods, from wandering outside the tropes.

Learning to tune out the noise and nonsense is what makes it a lonely affair but you need this part of the process.

So how do you get this time?

That, my dear creatives, is the secret to creation.

And I’ll talk about it next week because I need to go write.

In the meantime…

Embrace it all, take what you need, show your work. Repeat.

Now go be brilliant.

 

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Short Story Editing

cropped-img_1065.jpg

I read about 300 short stories a year and I’d like to share some thoughts on how to improve your story.

 

Know where to start your story. Sometimes you’re five pages in and you realize that the fifth page is the start. Don’t be afraid to throw out those first five pages.

 

End your story in a manner that feels finished. Your story should not sound like the first part of a novel, or a few chapters from your latest work.

 

Don’t be afraid to rain the pain on your characters. They aren’t real.

 

Make the reader feel like your character is real and not just a cookie cutter trope.

 

Watch your pacing. I can tell when you’ve run out of room and are on a deadline.

 

Don’t make me guess what’s going on unless it’s part of the plot. If I have to guess at the setting, the time period, or the genre I am too confused to figure out if the narrator is unreliable or the characters are.

 

Just because something is a trope doesn’t mean you can’t make it yours.

 

Learn to edit yourself, your family, friends, and fellow writers are unreliable. Mainly because they aren’t experienced or they are envious.

 

And on a side note:

 

I like to say that there are 100 ways to tell a story and you only have to pick one.

This is the hardest thing to learn as a writer.

You are not alone.

 

Kerrie

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Introspective-Rejection-Depression

cropped-medusa.jpg

Creative people tend to subject themselves to something I call introspective-rejection-depression.

Let me explain. People who create stuff, whether it’s writing or art, do not succeed in supporting themselves with their creativity until the product is in front of the audience.

The audience is everyone from your family and friends, who watch you be creative, to the gate-keepers of art/writing, and onward, to the purchaser of your work.

The audience is fickle and judgmental, so are your family and friends, so are you.

This results in you over analyzing everything you do by the meter of what’s going on around and within you. You end up depressed because you also go through the normal routes of life that include mental and physical illness and exhaustion, this can be ‘mid-life crisis’ driven as well.

Creativity is often under appreciated and over ruminated to the point of failing to finish, and can go so far as quitting the process.

I’m going to tell you a few secrets.

Often not knowing any better, and doing things naively, is just as good as perfection.

Creating perfection is a fiction.

Taste, and the audience are fickle.

Critics are your best friends and worst enemies and it’s hard to tell the difference.

Trying something new is a part of the process.

Failure is an option, quitting is an option, success is an option, learn to do all of these things without beating yourself up.

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Time Management

cropped-img_0461.jpg

We are not robots. We are humans trying to make a living while doing stuff that makes us feel like we belong. We are also creative beings who need to be alone sometimes.

I started doing writing/editing because it was the only outlet I had for creativity after my asthma drove me away from chemical infused photography. I wanted to switch to painting or drawing but I’m rubbish at both.

Words however…now that’s a paintbrush of another kind.

So why don’t I have more to show for my ten years of work?

Answer: because deciding to write is a revelation, being a writer is a process, finishing things for others to consume…ugh…so intimate.

Fortunately for me I am aware of the painful process of what happens once the art leaves your hands and goes up for display, but that’s a post for next week I think.

The thing I wasn’t aware of was how much time management goes into writing. How it steals from the rest of your life and how hard it would be to insist that the writing come before everything else.

My revelation, once I embraced the scariness of having very little money while building up my output, is that this is a very lonely process and it’s too easy to become a hermit.

Thank goodness for social media.

And curse you social media for giving me the daily opportunity to fall down the rabbit hole of belonging.

Back to the point.

There is no one method for managing your time just like there’s no one method for writing… or managing your health… or making a living…or anything else that requires time and choice.

Just know that your not alone even though it feels like you are.

Oh, and by the way, If you want to know what has been successful for me it’s learning to adapt to creating my own deadlines.

I break the year down into quarters, then break that down into months, and then weeks.

I have three calendars; one for the overall yearly plan, one to mark my progress, and one to list my weekly goals so I can see what’s next instead of losing myself in the rabbit hole.

I also have the immense privilege, one that I have worked toward and stolen, of being able to put myself first.

I think that too is a post for another day.

 

 

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Punctuation in narrative genre fiction.

 

I’ve been talking to several fellow editors this week about punctuation in narrative genre fiction. Partly because I write in this arena and partly because I’m currently working my way through about 250 short stories for an upcoming workshop.

 

I noticed that in addition to style and structure, each author had a unique punctuation style. Most writers understand periods and capitalization but when someone wants to emphasize a word or invent new ones the parameters are fuzzy. In my favorite genre sometimes the main character is thinking to herself and/or hearing the voice of a familiar in her head. I had to come up with a way to delineate who was talking and when without constantly going to the same dialogue tags. When I asked other writers what they do I got a myriad of different answers, sometimes I got haughty feedback that seemed like a pat on the head.

 

Annoying right?

 

So shouldn’t punctuation be set in stone? Those of us with Master’s degrees have heard for decades that APA, MLA, and CMS are the last word in punctuation. In my experience, people who write literature often tell those who write genre that the best writer’s stick to the Chicago Manual of Style. However, when I go to the CMS website looking for advice on how to use emphasis in punctuation, I find I am being threatened with becoming a “hack.” Oh my. http://www.chicagomanualofstyle.org/qanda/data/faq/topics/Punctuation/faq0013.html

 

So I’m going to give everyone a giant piece of advice, as long as you are consistent with how you use the punctuation forms that are open to interpretation, like em and en dashes, and stay true to things like periods and exclamation points, you can pretty much do what makes sense for you.

 

Until your editor gets a hold of it. 😉

 

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